Michael Landy [videorecording - DVD]

Contributor(s): Material type: FilmFilmSeries: The EyePublication details: London : Illuminations, 2005Description: 1 videodisc (26 min. approx.) : sd., col. ; 4 3/4 inSubject(s): Summary: Michael Landy acknowledges that he will probably always be known as "that bloke who destroyed all his belongings". In his 2001 artwork Break Down he publicly and systematically shredded, dismantled and demolished everything that he owned. “I’m always trying to get rid of myself," he says, "so that I can move on. And then I end up always coming back to the same themes… I guess I’m a creature of habit." In this film profile Michael Landy reflects on Break Down and on his other complex and ambitious projects, Scrapheap Services (1996) and Semi-detached (2004). Prompted by his father’s injury from an industrial accident, /Semi-detached/ involved the construction inside Tate Britain of a full-scale replica of the exterior of his parents’ suburban home. He also discusses his meticulous, delicate drawings as well as the ideas and directly personal concerns that underpin his unconventional art
List(s) this item appears in: Wellpark Film & Documentary
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Multimedia Multimedia ATU Wellpark Road Audio Visual 709.2 MIC (Browse shelf(Opens below)) Available G112687

The Eye is a series of interview-based profiles of prominent contemporary artists

Michael Landy acknowledges that he will probably always be known as "that bloke who destroyed all his belongings". In his 2001 artwork Break Down he publicly and systematically shredded, dismantled and demolished everything that he owned. “I’m always trying to get rid of myself," he says, "so that I can move on. And then I end up always coming back to the same themes… I guess I’m a creature of habit." In this film profile Michael Landy reflects on Break Down and on his other complex and ambitious projects, Scrapheap Services (1996) and Semi-detached (2004). Prompted by his father’s injury from an industrial accident, /Semi-detached/ involved the construction inside Tate Britain of a full-scale replica of the exterior of his parents’ suburban home. He also discusses his meticulous, delicate drawings as well as the ideas and directly personal concerns that underpin his unconventional art

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