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Varieties of modernism / edited by Paul Wood

Contributor(s): Material type: TextTextSeries: Art of the 20th century ; v. 3 | Art of the twentieth century (Yale University Press) ; v. 3Publication details: New Haven ; Yale University Press in association with The Open University, [2004]Description: 411 p. : ill., ports. ; 26 cmISBN:
  • 9780300101423 (cased)
  • 9780300101423 (cased)
Subject(s): Scope and content: Varieties of Modernism discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period. With the rise of the European dictatorships of the 1930s, Paris regained its position at the forefront of the modern movement. Accordingly, the first part looks at developments in French art: abstraction, the figurative tradition and Surrealism, in the years leading up to the Second World War. In the next two parts, the focus moves across the Atlantic, charting the shift from the widespread social realism of the Depression years to the triumphant modernist abstraction of the postwar period. The final part discusses the challenge posed to canonical modernism by various new approaches ranging from 'combine paintings' to Pop Art, 'happenings' and the Situationist International
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Item type Current library Call number Status Date due Barcode
General General ATU Wellpark Road General Shelves 709.04 VAR (Browse shelf(Opens below)) Available J131736
General General ATU Wellpark Road General Shelves 709.04 VAR (Browse shelf(Opens below)) Available J128887
General General ATU Wellpark Road General Shelves 709.04 VAR (Browse shelf(Opens below)) Available J128642

"This publication forms part of an Open university course: AA318 Art of the Twentieth Century."

Includes bibliographical references and index

Varieties of Modernism discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period. With the rise of the European dictatorships of the 1930s, Paris regained its position at the forefront of the modern movement. Accordingly, the first part looks at developments in French art: abstraction, the figurative tradition and Surrealism, in the years leading up to the Second World War. In the next two parts, the focus moves across the Atlantic, charting the shift from the widespread social realism of the Depression years to the triumphant modernist abstraction of the postwar period. The final part discusses the challenge posed to canonical modernism by various new approaches ranging from 'combine paintings' to Pop Art, 'happenings' and the Situationist International

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