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Creative camera : thirty years of writing / edited by David Brittain

Contributor(s): Material type: TextTextSeries: The Critical ImagePublication details: Manchester : Manchester University, [1999]Description: vii,312p. : ill.,ports. ; 25cmISBN:
  • 9780719058042
  • 9780719058042
Subject(s):
Partial contents:
Mirror with a memory: thirty years of writing in creative camera -- Photography and the mass media -- The scandal of horror photography -- Letter from New York -- Brassai: talking about photography -- In praise of the snapshot -- Dr Erich Salomon 1886-1944: historian with a camera -- Personal notes on dismantling the McCullin exhibition at the V&A Museum -- Picturing the end of the empire: Cecil Beaton -- The Tate Gallery and photography -- Modern photojournalism: the first years -- Thinking photography reviewed -- Some sacred sites: thinking photography edited by Victor Burgin -- Letter: dictators and empiricists -- Flash suit, flash myth -- Revising femininity? --Current comment: Josef Koudelka -- From today black and white is dead -- Deja vu: the rephotographic survey project -- Past caring -- Towards a moral pornography: Joel-Peter Witkin -- A mirror to yourself -- John Gossage's the pond -- Beyond romance: Weston's landscapes -- Pilgrams -- Willie Doherty -- Wlliam Klein -- Between media and art -- A book in the life of ... Jo Spence -- True confessions -- Symbolic spaces -- A snapshot from Bohemia -- Body language -- Film as crime -- Sans-Souci -- Parlour made -- Unsettling the West: contemporary American landscape photography -- Zang Tumb Tuum -- 'I'm buggered without my prjudices' -- The Morgue: Andres Serrano -- Digital phantoms -- Doppelganger -- New Labour -- Between object and images -- Dinos and Jake Chapmans' Zygotic exposure -- Figures in a landscape -- Photography, video and the everyday -- The big shift -- Defining the moment -- Shock photos -- Obedient numbers, soft delight
Summary: Founded in 1968, Creative Camera has been a forum for influencing the shape and direction of modern photography. This anthology of 50 texts and their images includes moments from the debate.
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Holdings
Item type Current library Call number Status Date due Barcode
General General ATU Wellpark Road General Shelves 770 (Browse shelf(Opens below)) Available J120277

Includes bibliographical references and index

Mirror with a memory: thirty years of writing in creative camera -- Photography and the mass media -- The scandal of horror photography -- Letter from New York -- Brassai: talking about photography -- In praise of the snapshot -- Dr Erich Salomon 1886-1944: historian with a camera -- Personal notes on dismantling the McCullin exhibition at the V&A Museum -- Picturing the end of the empire: Cecil Beaton -- The Tate Gallery and photography -- Modern photojournalism: the first years -- Thinking photography reviewed -- Some sacred sites: thinking photography edited by Victor Burgin -- Letter: dictators and empiricists -- Flash suit, flash myth -- Revising femininity? --Current comment: Josef Koudelka -- From today black and white is dead -- Deja vu: the rephotographic survey project -- Past caring -- Towards a moral pornography: Joel-Peter Witkin -- A mirror to yourself -- John Gossage's the pond -- Beyond romance: Weston's landscapes -- Pilgrams -- Willie Doherty -- Wlliam Klein -- Between media and art -- A book in the life of ... Jo Spence -- True confessions -- Symbolic spaces -- A snapshot from Bohemia -- Body language -- Film as crime -- Sans-Souci -- Parlour made -- Unsettling the West: contemporary American landscape photography -- Zang Tumb Tuum -- 'I'm buggered without my prjudices' -- The Morgue: Andres Serrano -- Digital phantoms -- Doppelganger -- New Labour -- Between object and images -- Dinos and Jake Chapmans' Zygotic exposure -- Figures in a landscape -- Photography, video and the everyday -- The big shift -- Defining the moment -- Shock photos -- Obedient numbers, soft delight

Founded in 1968, Creative Camera has been a forum for influencing the shape and direction of modern photography. This anthology of 50 texts and their images includes moments from the debate.

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